Archive for the ‘Digital Cameras’ Category

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A new type of Punch Camera takes pictures by punching holes

Thursday, October 15th, 2009

second-sales.comThe Punch Camera is just like any other digital camera, but with a twist. You can still load your photos onto a computer via USB, but the Punch also has a series of pins that you can use to literally punch a rasterized image onto a piece of paper. You lose a lot of definition and color, but there’s an undeniable charm to the finished result.

“This is a camera which was inspired by the loss of tangible memories,” writes designer Matty Martin of his concept. “It is meant to connect both physical and digital while minimizing excess materials and the hardships in sharing images? The Punch aligns a set of pins and then uses the force of the user to perforate a regular piece of paper. ”

via

Nikon to unveil D3s with 1080p video recording next month?

Tuesday, September 29th, 2009

d3s_500x375
Word on the street has it that Nikon is set to announce the D3s on October 15, and this professional dSLR will feature 1080p-quality movie recording. But it seems the rumored shooter won't be having a full-frame sensor as camera blog NikonRumors stated there will be a 1.6x crop factor. The burst mode is speculated to be 14fps, which trumps the 11fps and 5fps offered by the D3 and D3x, respectively.

If this camera becomes a reality, it will be Nikon's first camera to enable full-HD video recording and perhaps the fastest dSLR it has to date. We're looking out for more information so check back with us soon.

Via Engadget

Canon engineered the shutter sound for the EOS 7D

Wednesday, September 23rd, 2009

canon_500x583
A few weeks back, Canon announced the EOS 7D, the company's contender in the professional midrange dSLR category. This model is set to go against the likes of the Nikon D300s and the Pentax K7. At a launch event held in Singapore, we got a chance to try this much-talked-about camera and here are some of our early impressions.

The EOS 7D's build is solid, and we were told by a Canon representative that the magnesium alloy body is weather resistant. The grip of the shooter feels good and we felt our fingers molding into it comfortably. The plethora of buttons on the rear may scare beginners, but each is clearly labeled so we knew which button activates what function. The 100-percent viewfinder is clear and the focusing points are larger and easy to identify. The autofocus module felt snappy in our short experience with the camera, but what really got us hooked was the sound of the shutter. Canon told us the firm actually did a survey with other photographers to find out which kind of shutter sound they prefer, and the one produced by the EOS 7D was meticulously crafted as a result.

At the event, we also got a glimpse of the PowerShot S90, Canon's answer to the popular Panasonic Lumix DMC-LX3. The advanced point-and-shoot is slightly smaller than the LX3 and the stepped-control ring is a nice touch as it allowed us to customize the function we want to map to it. The flash is not activated by spring. Rather, it is electronically controlled and rises up when needed and retracts into the camera when switched off.

Prices and availability of Canon's other new Ixus and PowerShot shooters were also made available at the event. The touchscreen-operated Ixus 200 IS, PowerShot G11 and EOS 7D will be available come early October for S$599 (US$424.22), S$899 (US$636.69) and S$2,699 (US$1,911.47) (body only), respectively. As for the PowerShot SX20 IS, SX120 IS and Ixus 120 IS, they are available in stores now for S$749 (US$530.45), S$469 (US$332.15) and S$499 (US$353.40), respectively. The PowerShot S90's availability in Asia is not confirmed but we were told by Canon that it should be on retail shelves by the later part of this year, with pricing to be advised.

Sony Cyber-shot DSC-TX1 and DSC-WX1: Shot in the dark

Friday, August 7th, 2009
Compact cameras with 10 megapixels need a little zhushing up, as a Notting Hill hairdresser might put it, so Sony has endowed the Cyber-shot DSC-TX1 and DSC-WX1 with a back-illuminated CMOS sensor, the Exmor R. The sensor is based on those found in Sony's digital SLRs and promises to deliver improved low-light performance without help from a flash or tripod. According to Sony, the new design has "approximately twice the sensitivity compared to conventional sensors".
Both cameras incorporate the hand-held twilight and antimotion blur multishot modes introduced in the Cyber-shot DSC-HX1 enormo-zoom. They also get its sweeping panorama-shooting capabilities.
The TX1 -- like all of the T-series models -- is a very thin camera at 18mm thick and has few physical controls, instead relying on a revamped 76mm (3-inch) touchscreen interface. The WX1 is only slightly thicker at 20mm.
So the TX1 has its small body and touchscreen LCD going for it, but its lens specifications are less impressive than those of WX1. It's folded inside the body, which is neat, but it's a 4x, f3.5-4.6, 35-140mm-equivalent lens -- the WX1 has a 5x, f2.4-7.1, 24-120mm. At f2.4 you'll pick up more light, further improving its performance in dim conditions. Plus, 24mm is considerably wider than 35mm. You'll have to decide what's more important -- portability and a flashy design and interface or shooting flexibility.
UK prices for both are yet to be announced, but click through for more pictures.

Compact cameras with 10 megapixels need a little zhushing up, as a Notting Hill hairdresser might put it, so Sony has endowed the Cyber-shot DSC-TX1 and DSC-WX1 with a back-illuminated CMOS sensor, the Exmor R. The sensor is based on those found in Sony's digital SLRs and promises to deliver improved low-light performance without help from a flash or tripod. According to Sony, the new design has "approximately twice the sensitivity compared to conventional sensors".

tx1-colours

Both cameras incorporate the hand-held twilight and antimotion blur multishot modes introduced in the Cyber-shot DSC-HX1 enormo-zoom. They also get its sweeping panorama-shooting capabilities.

The TX1 -- like all of the T-series models -- is a very thin camera at 18mm thick and has few physical controls, instead relying on a revamped 76mm (3-inch) touchscreen interface. The WX1 is only slightly thicker at 20mm.

So the TX1 has its small body and touchscreen LCD going for it, but its lens specifications are less impressive than those of WX1. It's folded inside the body, which is neat, but it's a 4x, f3.5-4.6, 35-140mm-equivalent lens -- the WX1 has a 5x, f2.4-7.1, 24-120mm. At f2.4 you'll pick up more light, further improving its performance in dim conditions. Plus, 24mm is considerably wider than 35mm. You'll have to decide what's more important -- portability and a flashy design and interface or shooting flexibility.

UK prices for both are yet to be announced, but click through for more pictures.